(Rishitha Jaladi, intern Journalist)Vijayawada: Story – Kannayya (Suhas) and Deepti (Chandini Chowdary) are two engineering students from a small town in Andhra Pradesh who fall in love Deepti’s sibling Rama Raju (Sunil) is a merciless cop who accepts that the shade of the skin matters a great deal, at any rate for any individual who needs to wed his sister. The bigoted sibling makes a decent attempt to isolate the love birds yet what does his endeavor lead to? Will Kannayya’s adoration prevail upon the shade of his skin?
Audit: Ever since the mystery and melodies of Color Photo delivered, the film has consistently felt promising. The story is a straightforward one, however, what knocks the socks off is its composition. Discoursed are imperative to any romantic tale yet the way chief Sandeep Raj utilizes them during key scenes makes this film an important one.
The film is set in late the 90s where people are discriminated against based on skin tone and accept that fair women are an excessive amount to request darker-looking men. What is more clever is that a couple of characters in the film envision that things will change constantly. Kannada is a dedicated student who thinks beyond practical boundaries throughout everyday life. He becomes hopelessly enamored with Deepti who is his classmate and hesitates to communicate it to her. The innocence in his character is all around kept up and the humor is first-rate. Kannayya has a friend called Bala Yesu (Harsha Chemudu), who genuinely gets everyone’s attention. Bala Yesu’s character is unadulterated to the point that in any event, when he swears at people, it looks cute. The main portion of the film feels like a new wide-open breeze.
The second 50% of this film starts by professing to be a glad story yet it is loaded down with high feelings. Sandeep Raj again hits the correct notes by intriguingly portraying the story. He demonstrates his splendor by indicating brutal real factors as they are rather than glossing over them. The cheerful film gradually transforms into an enthusiastic rollercoaster and a similar cute honesty in the principal half will cause hearts to sob at the scenes in pre-peak. The composing again is praiseworthy and more than his course, Sandeep will be associated with his writing in the film. Yet, if there is something that is a touch of disillusioning, it is giving a visually impaired eye to the ruthless Rama Raju and leaving his character in harmony. Something else, Color Photo passes without a hitch.
Suhas has indeed demonstrated his guts as an entertainer with Color Photo. Every detail, even how he gets down the cycle without applying the break is so characteristic. Chandini’s demeanors and execution in this film ought to at any rate presently make authors need to pen solid characters for her. Sunil pros his function as the rival and it’s nothing unexpected truly. Also, the man existing apart from everything else is genuinely Harsha. The chemistry among Harsha and Suhas in this film is as significant as the chemistry between the lead characters and the duo just killed it. Kaala Bhairava’s music is right on target and different details likewise worked out well.
Colour Photo doesn’t simply have what a romantic tale needs; it additionally has all a decent film requires. Try not to miss this one!
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